Stunning Celebrity Xxx

Lesbian Scene From Desperate Housewives

I’m not going to lie, from time to time I turn on Desperate Housewives, if you don’t you’re missing out. I know that this is basically a night time soap opera for women, but have you ever seen the horny MILFs on this show? They’re all hot and they’re all slutty. I think one of my fantasies is to see them fooling around together and today that fantasy came true. Check out this GoGoCeleb gallery featuring the horny housewives. They take turns licking each other, fucking each other with strap on dildos and more!

Do you like celebrities? Then you’re going to love GoGoCeleb! Click here to take the free tour. This site features nothing but x-rated toons of your favorite pop stars. This definitely isn’t not Saturday morning drawings, this one features horny celebs in action. All of the most well-known singers, actresses and socialites are featured and they’re all acting like complete sluts. This is better than any quick nipple slip or blurry sex tape!

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Crossing Over

It is all about what you feel rather than what you think. If you are such a person then this movie is for you. There is just one thing that stands out and differentiates birth and death and that is ‘feeling’. This movie stages that. It searches for the humane thing that is inside you and speaks with it. It makes one wonder as what on Earth have we done to ourselves. Fences separating souls for the mere possibility of opportunities and barbed wires guarding the land which is no different to what it is guarding from. Seeing through the distorted glass of paranoia…yes…this is what the movie talks about. Exceptional performances and down to earth language, this movie really questions the human being, if at there is a being in humans.

7 Pics from Barbara Alyn Woods in Striptease


Nudity Rating:

Malin Akerman


Nudity Rating: MrSkin.com has:
19 Clips, 51 Pics

Saucy Swedish import Malin Akerman first got us howlin’ as a sexy sorority gal in The Skulls, but it wasn’t until Harold and Kumar Go to White Castle that this blonde bombshell first dropped her top and showed us those tasty meatballs.Mr Skin members have had full access to those nude scenes for years and, after Watchmen, Akerman aficionados really gave our web server a wobble; after Malin Akerman’s skintastic performance in a pussy-hugging yellow jump suit she quickly became one of the most searched for actresses on the site…. >>> read more

See her full Review, Pics and Clips!!!

One of The Greatest Beauties in The Celebrity World is Megan Fox

Here are some hot pics of Megan Fox and god damn is she looking good as fuck I have to say. She’s seen here in New York before doing Letterman and she has on this kinky black dress that is modeling her rack so perfectly. Megan Fox has been getting a lot of media time lately with this world tour crap of the Transformers movie. She’s been seen everywhere and always looking so god damn foxy. Check out her nude photos and all kinds of other hot celeb pics at Celeb Taboo where the updates are so consistant it’s obserd.

SEE MORE NAKED CELEBUTANTS AT CELEB TABOO!

Sunshine Cleaning

A struggling single mom named Rose (Amy Adams in her comedy/drama wheelhouse) gets tired of working for a maid service and boldly decides to branch out into crime scene clean-up with her lay-about sister Norah (Emily Blunt, ironically named) in Christine Jeffs’ observant and easy-going “Sunshine Cleaning”.Although it has been marketed as one of those quirky dramedies the studios love to shove down our throats every year, Jeffs’ film (from a solid screenplay from Megan Holley) is more in tune with somber yet hopeful indie character studies. The film deals with some dark subject matter and poignantly explores grief and family dysfunction but maintains a positive outlook and contains some solid situational laughs. The combination of an interesting set-up, smart writing, likable characters and winning performances make the film, even when it teeter-totters from dark to sappy, go down smooth. None of the characters seem forced upon us, unlike the overtly quirky family from “Little Miss Sunshine” or the stylized dialog spewing teens from “Juno”. These characters talk and interact like real people and there’s a naturalism in the way their relationships develop.It makes for engaged viewing when a film like this doesn’t feel the need to explain every detail or tie up every loose end so nicely. Some subplots involving Norah taking a personal interest in one of the clean-up jobs that leads to an awkward friendship with a blood-bank worker (Mary Lynn Rajskub of “24″ fame) or a one-armed supply store guy (Clifton Collins Jr.) who takes a shine to Rose aren’t resolved in a typical fashion, and some things are never made known or left open-ended. It makes the film feel truer to life. Even when Rose’s precocious kid (Jason Spevack) tries to talk to heaven on a CB radio in what would normally be considered a contrived and cutesy moment, you feel like you’ve grown to know the character and it’s just something he would do. Likewise, Alan Arkin as the sisters’ scheming entrepreneurial father behaves and acts like a real guy who’s had to struggle raising two girls alone and is just trying to help them catch a break.Amy Adams, of course, is an absolute delight. Something about her girl-next-door good looks combined with her innate talents as a comedienne and her theatrical background that produces some of the best facial expressions and crying-on-cue you’ll ever see make her the perfect choice for this type of role. While it’s easy to sing the praises of Adams, and she’s never been more endearing or relatable than here, Emily Blunt proves to be an excellent foil. It’s Blunt’s sharp portrayal and her character’s story arc that provide the film its emotional weight. Both actresses deserve to be remembered come awards season, and “Sunshine Cleaning” is that rare spring-time bird: a film worthy of buzz.

XCU: Extreme Close-Up

How was Sean Cunningham’s little-seen XCU, aka Extreme Close-Up, managed to slip through the cracks? News of this film had been circulating through the genre press for quite a while, and expectations were high that it would at last prove to be Cunningham’s return to form, the kind of effective, straight-ahead shocker that initially cemented his reputation as one of horror’s leading shockmeisters. Then while on vacation in Sun Valley, I was lucky enough to find myself at a benefit screening held by Cunningham himself to show off a newly re-edited and re-scored cut of the film. Although such tinkering is usually a sign of trouble, I was surprised to find that the final product defied any dire predictions. In an age when people actually tune in by the millions to watch shows like “The Surreal Life” without irony, XCU’s melding of the prototypical reality show conceit (seven teenage contestants, one house, one week) with a classic slasher film plot (who will survive, and what will be left of them?) feels even more eerily prescient than ever before. A nifty, often clever skewering of that errant cockroach known as “Reality TV,” XCU seems tailor-made for “The Real World” crowd, an audience that still confuses celebrity with notoriety, and fame with infamy.I didn’t know what to make of this film at first. It initially seems to be pandering the same exploitative elements it is rallying against. But if the let’s-kill-them-off-one-by-one setup is initially predictable, especially coming from Cunningham (best known, of course, for launching the slasher craze with Friday the 13th), at last we have a film that dares to take its high concept all the way through to its bloody end. The script by John Vorhaus and Tim Schlattmann is surprisingly sharp and biting, and doesn’t pull punches. Much of the fun of XCU is in the pleasurable uncertainty of never quite knowing who is or are the villains. Is it the producers, the contestants, or the audience itself? Are we ultimately to blame for today’s cult of narcissism when we are the ones who won’t turn the channel? XCU asks some tough, heady questions, but wraps it up in such a seemingly innocuous thriller-parody that it is more than just fun, but deliciously subversive.Shot on digital video, XCU isn’t always slick, and maybe even cheap. But it does have a you- are-there immediacy to its staged antics that is more authentic than the past three seasons of “Survivor” combined. It is nothing new to say that today’s wanna-be reality TV celebrities don’t so much act like themselves as mug for the camera. Which makes them prime fodder for satire. But here, a surprisingly strong cast delivers something important than just effective quasi-documentary, improv style performances: they refuse to condescend to stereotypes. Most impressive is Sarah Chalke, now enjoying a hit with TV’s “Scrubs.” I won’t spoil any of the film’s twists, but let’s just say she gives the story its heart and soul and a nice little reversal. And genre fans will also get a kick out of seeing C. Thomas Howell revel in an atypical role as a slimy producer, and an all grown up Danica (”The Wonder Years”) Kellar as an obsessive lesbian. Now, that’s inspired casting!Many critics have lamented that Cunningham has never truly staked a claim for himself in the genre pantheon alongside such contemporaries as Craven and Carpenter. Maybe XCU will change that. This may be the only film he has ever made where it actually seems like he cares about what happens to his characters. Blame him for Friday the 13th if you want, but in a strange way, XCU allows Cunningham to bring it full circle. Because the ultimate irony in XCU is that, if the teenagers of today’s Camp Crystal Lake were to find themselves on the wrong end of Jason’s machete, they wouldn’t flee in terror. Instead, they would try to push him out of the way to get more screen time.

Infestation

I had heard about this movie from friends, but didn’t believe it could be as bad as they said. As usual, I was wrong. It was significantly worse.The plot makes no sense. Nothing is explained from the very beginning. Characters are the expected lot of useless and/or dangerous morons surrounding a couple of heroes/heroines. The events in the entire movie are completely predictable after the first five minutes.The movies didn’t seem to be able to make up its mind whether it wanted to be a horror story, a satire, a comedy, or an action flick. Of course, it is none of them.In many parts it was unclear whether the movie was attempting satire, or was simply suffering from utterly unimaginative writing. What might have been comedy seemed to come at unexpected or inappropriate moments, and may have been the result of poor direction or editing.Overall, this is one of those movies which should never have left the cutting room.

#6.